{"id":8600,"date":"2021-07-29T11:13:49","date_gmt":"2021-07-29T09:13:49","guid":{"rendered":"https:\/\/www.swub.de\/en\/?post_type=docs&#038;p=8600"},"modified":"2023-03-23T21:05:25","modified_gmt":"2023-03-23T20:05:25","password":"","slug":"keyswitch-expression-map_piano","status":"publish","type":"docs","link":"https:\/\/www.swub.de\/en\/software\/support\/article\/keyswitch-expression-map_piano\/","title":{"rendered":"Piano"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"306\" src=\"https:\/\/www.swub.de\/wp-content\/uploads\/2022\/07\/KeySwitch-and-Expression-Map_Manual-and-User-Guide_Virtual-Piano_4-1-1024x306.png\" alt=\"\" class=\"wp-image-11390\" srcset=\"https:\/\/www.swub.de\/wp-content\/uploads\/2022\/07\/KeySwitch-and-Expression-Map_Manual-and-User-Guide_Virtual-Piano_4-1-1024x306.png 1024w, https:\/\/www.swub.de\/wp-content\/uploads\/2022\/07\/KeySwitch-and-Expression-Map_Manual-and-User-Guide_Virtual-Piano_4-1-300x90.png 300w, https:\/\/www.swub.de\/wp-content\/uploads\/2022\/07\/KeySwitch-and-Expression-Map_Manual-and-User-Guide_Virtual-Piano_4-1-768x229.png 768w, https:\/\/www.swub.de\/wp-content\/uploads\/2022\/07\/KeySwitch-and-Expression-Map_Manual-and-User-Guide_Virtual-Piano_4-1.png 1436w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Pitch range &amp; key switches<\/h2>\n\n\n\n<p>Ableton&#8217;s <strong>piano roll<\/strong> offers you pitches from <strong>C-2<\/strong> to <strong>G8<\/strong>.<\/p>\n\n\n\n<p>A piano with 88 keys allows you to play notes from <strong>A-1<\/strong> to <strong>C7<\/strong>. This range is usually enough to cover the <strong>spectrum<\/strong> of all <strong>acoustic instruments<\/strong> like bass, cello, trumpet, guitar, clarinet or even a piccolo. The <strong>pitch range<\/strong> of the different instruments is more or less wide and limited to different octaves.<\/p>\n\n\n\n<p>In the case of an orchestra, all instruments of a section together cover about the seven octaves of the <strong>orchestral spectrum<\/strong>. Here is an excerpt using the string and brass section as an example:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" src=\"https:\/\/www.swub.de\/wp-content\/uploads\/2021\/08\/KeySwitch-and-Expression-Map_Manual-and-User-Guide_Control_Piano_Pitch-Range_Octave_Instrument_Orchestral-Spectrum_Section_Strings_Brass_Overview_List.png\" alt=\"\"\/><\/figure>\n\n\n\n<p>In general, this puts you in the comfortable position of using the <strong>remaining keys<\/strong> for your key switches. For a violin, for example, it would look like this:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" src=\"https:\/\/www.swub.de\/wp-content\/uploads\/2021\/08\/KeySwitch-and-Expression-Map_Manual-and-User-Guide_Control_Piano_Pitch-Range_Octave_Instrument_Strings_Violin-Cello-DoubleBass_Overview.png\" alt=\"\"\/><\/figure>\n\n\n\n<p>The <strong>blue keys<\/strong> indicate your key switches, the <strong>green area<\/strong> is the pitch range of the instrument, which you can additionally configure and display.<\/p>\n\n\n\n<p>So far so good! But as so often in life, the <strong>exception<\/strong> proves the rule. The first would be the <strong>piano<\/strong> itself, but even the <strong>concert harp<\/strong>, with its six and a half octaves, takes up almost the entire range of the piano keyboard. Finally, the frequency range of electronic devices like a <strong>synthesizer<\/strong> is more or less limited only by our ears.<br>In this case, however, you can help yourself by using the <strong>lower<\/strong> and <strong>upper octaves<\/strong> of Ableton&#8217;s piano roll for your key switches. For a synthesizer, you can additionally <strong>filter<\/strong> out the notes of your key switches from the MIDI signal with the <strong>Mute<\/strong> option in the first tab of the settings.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" src=\"https:\/\/www.swub.de\/wp-content\/uploads\/2021\/08\/KeySwitch-and-Expression-Map_Manual-and-User-Guide_Control_Piano_Pitch-Range_Split-Keys_Second-Keyboard-Low-High-Octave_Outside-Piano-Roll_C-2_B-1.png\" alt=\"\"\/><\/figure>\n\n\n\n<p>As you can see, there are basically <strong>two ways<\/strong> to position your key switches. Either they <strong>vary<\/strong> depending on the instrument and are located below or above the range of the respective instrument, or you place your key switches <strong>outside of the piano range<\/strong>. This has a few advantages:<\/p>\n\n\n\n<p>Like that all your key switches are always in the <strong>same place<\/strong> and you can probably play them soon blindfolded. Particularly if you place standard articulations like sustain, staccato, pizzicato etc. for all your instruments on the same notes. In addition, you could stick small labels on the keys with the names of the corresponding articulations for orientation purposes.<\/p>\n\n\n\n<p>You do <strong>not block<\/strong> your master keyboard with key switches and can thus also divide them between different instruments of an orchestra section.<\/p>\n\n\n\n<p>You do not have to think about whether the key switches of the current instrument are above or below the piano. In addition, you avoid pressing a key switch by <strong>mistake<\/strong> during a live performance or you suddenly play an unwanted note instead of changing the articulation.<\/p>\n\n\n\n<p>However, the catch is that you need a <strong>second small keyboard<\/strong> that you pitch to the respective octave, or a MIDI <strong>controller with pads<\/strong>. This means on the one hand that this costs additional money if you have to buy the device especially. On the other hand, and from a very pragmatic point of view, it also means that you have to carry it around when performing live.<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">KSEM Router<\/h2>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"191\" height=\"205\" src=\"https:\/\/www.swub.de\/wp-content\/uploads\/2023\/02\/KeySwitch-and-Expression-Map_Manual-and-User-Guide_KSEM-Router_version1.png\" alt=\"\" class=\"wp-image-12097\"\/><\/figure>\n\n\n\n<p>With <strong>version 4.2<\/strong> the KeySwitch &amp; Expression Map got support by a new colleague &#8211; the <strong>KSEM Router<\/strong>. It is a free additional tool for <strong>Ableton 11<\/strong> that allows you to receive the MIDI signal of a keyboard or MIDI controller directly, without having it pass through the MIDI clip in the track.<br>In that way, you can use a second keyboard to exclusively control your key switches and position your key switches <strong>independently of the pitch range<\/strong> of your instrument. Additionally, you can even say goodbye to annoying <strong>ghost notes<\/strong> in the MIDI clip.<br>You can download and find more information about it in the section <a href=\"https:\/\/www.swub.de\/en\/software\/support\/article\/keyswitch-expression-map_ksem-router\/\" data-type=\"docs\" data-id=\"12071\">tools<\/a>.<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Automation Key<\/h2>\n\n\n\n<p>Additionally you can assign a key switch in <strong>red<\/strong>, with which you can switch between <strong>automatic<\/strong> and <strong>manual mode<\/strong>. To be more precise, you can re-enable the automation envelopes for only the key switches or globally for your whole project. Thus, you can quickly improvise during a session or rehearsal and then return to the programming. The <strong>red dot<\/strong> between the two dashes above the automation key box shows you whether you are manually controlling your key switches or not.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" src=\"https:\/\/www.swub.de\/wp-content\/uploads\/2021\/08\/KeySwitch-and-Expression-Map_Manual-and-User-Guide_Control_Piano_Automation-Key_Re-enable_Automation-Envelopes-Switch-Improvisation-Manually.png\" alt=\"\"\/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The virtual piano of the KeySwitch &#038; Expression Map shows you all your key switches, the pitch range of the instrument and you can also define a key to reactivate the automation envelopes. Along with a bit of music theory, the article also shows you a few examples of where you can position your key switches.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","pgc_sgb_lightbox_settings":"","footnotes":""},"doc_category":[377],"doc_tag":[423,557,525,395,411,424,394,413,550,556,549,405,551,385,425,422],"class_list":["post-8600","docs","type-docs","status-publish","hentry","doc_category-control-options","doc_tag-ableton-live","doc_tag-automation-key","doc_tag-keyboard","doc_tag-m4l","doc_tag-main-key","doc_tag-manual","doc_tag-max-for-live","doc_tag-mute-key-switch","doc_tag-orchestral-spectrum","doc_tag-piano-roll","doc_tag-pitch-range","doc_tag-settings","doc_tag-strings","doc_tag-support","doc_tag-user-guide","doc_tag-virtual-piano"],"year_month":"2026-04","word_count":705,"total_views":"705","reactions":{"happy":"1","normal":"0","sad":"0"},"author_info":{"name":"swub","author_nicename":"swubhome","author_url":"https:\/\/www.swub.de\/en\/author\/swubhome\/"},"doc_category_info":[{"term_name":"Control Options","term_url":"https:\/\/www.swub.de\/en\/software\/support\/category\/control-options\/"}],"doc_tag_info":[{"term_name":"Ableton Live","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/ableton-live\/"},{"term_name":"Automation Key","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/automation-key\/"},{"term_name":"Keyboard","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/keyboard\/"},{"term_name":"M4L","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/m4l\/"},{"term_name":"Main Key","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/main-key\/"},{"term_name":"Manual","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/manual\/"},{"term_name":"Max For Live","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/max-for-live\/"},{"term_name":"Mute Key Switch","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/mute-key-switch\/"},{"term_name":"Orchestral Spectrum","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/orchestral-spectrum\/"},{"term_name":"Piano Roll","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/piano-roll\/"},{"term_name":"Pitch Range","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/pitch-range\/"},{"term_name":"Settings","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/settings\/"},{"term_name":"Strings","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/strings\/"},{"term_name":"Support","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/support\/"},{"term_name":"User Guide","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/user-guide\/"},{"term_name":"Virtual Piano","term_url":"https:\/\/www.swub.de\/en\/software\/support\/tag\/virtual-piano\/"}],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"betterdocs-category-thumb":false},"uagb_author_info":{"display_name":"swub","author_link":"https:\/\/www.swub.de\/en\/author\/swubhome\/"},"uagb_comment_info":0,"uagb_excerpt":"The virtual piano of the KeySwitch & Expression Map shows you all your key switches, the pitch range of the instrument and you can also define a key to reactivate the automation envelopes. Along with a bit of music theory, the article also shows you a few examples of where you can position your key&hellip;","knowledge_base_info":[],"knowledge_base_slug":[],"_links":{"self":[{"href":"https:\/\/www.swub.de\/en\/wp-json\/wp\/v2\/docs\/8600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.swub.de\/en\/wp-json\/wp\/v2\/docs"}],"about":[{"href":"https:\/\/www.swub.de\/en\/wp-json\/wp\/v2\/types\/docs"}],"author":[{"embeddable":true,"href":"https:\/\/www.swub.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.swub.de\/en\/wp-json\/wp\/v2\/comments?post=8600"}],"version-history":[{"count":0,"href":"https:\/\/www.swub.de\/en\/wp-json\/wp\/v2\/docs\/8600\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.swub.de\/en\/wp-json\/wp\/v2\/media?parent=8600"}],"wp:term":[{"taxonomy":"doc_category","embeddable":true,"href":"https:\/\/www.swub.de\/en\/wp-json\/wp\/v2\/doc_category?post=8600"},{"taxonomy":"doc_tag","embeddable":true,"href":"https:\/\/www.swub.de\/en\/wp-json\/wp\/v2\/doc_tag?post=8600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}